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Free Short Story Preview: The bullet from a Glock 17C.

It took 0.0039 seconds for the bullet from a Glock 17C to travel from its firing chamber to David’s skull and silence the world. It took David three weeks to realize that the silence was not complete.

First he heard the Music. Sometimes it was a flute solo, echoing in vast imaginary distances. Sometimes it was an orchestra, complete with the warmth of strings, sharp brass, and a full choir in eight-part harmony. Sometimes it was electric guitar in sweeping arpeggios and triumphant melody. Regardless of the instrument or theme, the Music was always hopeful. Real or imagined, David could have listened forever.

But there were other sounds. At first they were faint, hidden behind the Music. Gradually, David was able to distinguish them.

He expected the beeping of a heart monitor, remembered from television. Instead, he heard many loud hums, layered in subtle discord. These were punctuated by clunks of doors closing, the rapid clatter of typing in the next room, the measured step of hospital staff. Though it was unintelligible at first, David began to comprehend the most welcome sound of all:

Dialog.

“David, can you hear me?”

Yes.

“David, I love you.”

I love you too, Becky.

“Please come back to us, okay?”

I’m trying. God help me, I’m trying.

And then Becky would leave, gone to work or home to return the next day and say much the same thing. He liked it better when she explained things.

“The doctor says we should wait and see. There’s no reason to think you won’t recover.”

But there’s no reason to think I will, is there?

“Your chances of recovery decrease the longer this lasts, so wake up soon. Please? David?”

David ached to answer. It was worst when she cried, because he couldn’t reassure her, couldn’t hug her. All she wanted was for him to sit up and speak. But he couldn’t. He had no sense of his body at all besides the things he could hear.

Sometimes even the Music turned sad.

SATURDAY SPOTLIGHT: Brandon Sanderson

Each Saturday, Jason spotlights one person, product, service, or work of art he finds particularly amazing; the kinds of things that make you wonder, “Why doesn’t everyone have this?” (Read more at www. jasonrpeters.com.)

If you read epic fantasy, chances are you’ve heard of Brandon Sanderson. If you’re one of the few that hasn’t, sit up and pay attention.

Sanderson gained instant notoriety with Robert Jordan’s fandom when he was chosen by Harriet Rigney (the late Robert Jordan’s wife) to write the final volumes of the Wheel of Time series.

Like many others, it was this news which brought Sanderson to my attention. And as crucial a step as this was in Sanderson’s developing career, true Sanderson fans might consider it a mere footnote.

The Wheel of Time

The Wheel of Time was an incredible read for about four books, after which it waded into perennial sequilitis. Jordan, having unraveled the Pattern at the rate of one or two Forsaken (The Wheel of Time’s major villains) per book, was unwilling to dive into the final chapters which would release all thirteen AND the dark lord they served, not to mention all the other forces of good and evil rattling around in Jordan’s brain.

The result was a long series of long books with phenomenal moments, but no end in sight. It was disappointing but not surprising when Robert Jordan passed away before the epic tale could be completed.

I give you this backdrop because though Sanderson was also a fan of Robert Jordan, in my estimation his work exceeds Jordan’s on many counts. Read More →

SATURDAY SPOTLIGHT: The Director who Understands Character

Each Saturday, Jason spotlights one person, product, service, or work of art he finds particularly amazing; the kinds of things that make you wonder, “Why doesn’t everyone have this?” (Read more at www. jasonrpeters.com.)

I’m not sure what they teach in film school. Judging by most of the dregs that make it screenward, not much. One wonders how an industry ripe with possibility can yield more garbage than industries which deal directly with garbage.

I suspect they teach a lot about camera angles. And integrating sound effects. And working with visual arts teams. And securing funding.

But not so much about story.

Take Science Fiction, for example. There are pillars of brilliant storytelling in the history of Science Fiction. Frank Herbert. Asimov. Heinlein. Larry Niven and Jerry Pournelle. These individuals have created stories which form almost a canon for future storytellers, but more impressively, offer great insight into human behavior.But if you flip on the SciFi channel (or “Syfy” as it has egregiously re-branded itself), you won’t find these greats.

Instead, you will find Attack of the Giant Bees. Attack of the Mutant Spiders. Invasion of the Hot Babes From Other Planets. Oh, sure, “syfy” plays its share of Quantum Leap, Star Trek, Battlestar Galactica, and a few blockbusters, but an annoying percentage of time is devoted to trashy monster movies with little premise and less plot.

This is not unique to Science Fiction. Turn on Oxygen or WE and you will find ten crappy romance flicks for every decent one.

The reason for this is that most directors copy the TRENDS of other directors without UNDERSTANDING what actually made a particular movie successful. What made a movie really come to life — every time — was the characters. This is why James Cameron’s Aliens was so amazing — you could feel the bond between Ripley and Newt and Hicks, and you wanted them to win. So when Dan O’Bannon and David Fincher decided to kill off everybody but the star even before the opening credits of Alien 3, fans were turned off. And non-fans never built the connection with Alien 3’s cast that they had with the prior two movies. O’Bannon tried to copy the premise of the first two films without understanding why they were so successful.

The most obvious evidence of this copy-catting can be seen in the plethora of epic fantasy titles which immediately followed Lord of the Rings. Peter Jackson picked Lord of the Rings because it was a timeless story which already stood on its own. Fantasy fans exulted because of the previous dearth of good fantasy movies — poor writing or low budgets or both plagued almost everything we’ve ever seen in theaters. Lord of the Rings was the holy grail of big screen entertainment for fantasy. At long last, an epic movie we could tell our friends about!

The trilogy debuted with Fellowship to resounding success in 2001, and Return of the King hit theaters in 2003. What followed?

2002 – The Count of Monte Cristo, Reign of Fire

2003 – Pirates of the Carribean, Underworld, The Last Samurai, Timeline

2004 – Troy, King Arthur, Van Helsing, Hellboy

2005 – Kingdom of Heaven, The Brothers Grimm, The Lion the Witch and the Wardrobe

2006 – 300, Apocalypto, Eragon

2007 – Stardust, Beowulf,

Woah…suddenly epic fantasy is cool. How’d that happen?

Hollywood wanted to mimic the success achieved by Lord of the Rings, but flung out blindly for any big budget epic fantasy that might work. Some true artistry (thankfully) shines through, but the bulk of these are as memorable describing a fairy tale to a friend.

It seems surprisingly rare for a director to understand what brings a movie to life. Which is why today’s spotlight falls on Christopher Nolan, whom I first discovered with the movie Memento.

Memento was a film with a gimmick. Gimmicks by themselves do not work. But Nolan put the gimmick to work in a brilliant way. He developed a character for whom you felt sympathy, suffering from severe short term memory loss. To force you to relate more closely to this character, and experience each moment through his eyes, Nolan presented the film backwards. So in each scene (just like the protagonist) you don’t know what just happened. You DO know what will happen in the protagonist’s future, and this allows you to piece together the overall story.

You might know Nolan better as the writer and director of both Batman Begins and The Dark Knight, both of which breathed Oscar-worthy new light into a franchise I’d never liked — but under Nolan’s guidance has become one of my favorites. These dealt directly with character motives in a way previous batman films never bothered.

Nolan’s most recent film was Inception, which I sadly have not yet seen, but is getting amazing reviews. That is to say, I have no idea what the so-called “critics” think, but wise individuals who I trust have ranked it very highly.

Thank you, Chris Nolan, for understanding that PLOT and CHARACTER as the necessary ingredients for a successful film; not big budget special effects chasing after the latest “market trends”. When you add cool ideas, now you have a film which broadens the mind long after it is done entertaining the eyes.


SATURDAY SPOTLIGHT: You Can Call Me Al

Each Saturday, Jason spotlights one person, product, service, or work of art he finds particularly amazing; the kinds of things that make you wonder, “Why doesn’t everyone have this?” (Read more atwww. jasonrpeters.com.)

Today’s spotlight falls on one of my favorite songs of all time; it was featured at my wedding, and is guaranteed to force my wife and I to dance in whatever confined space is available to us at the moment; most recently, the front seats of our sedan.

More amazingly, I can’t honestly say that I’ve ever met anyone who doesn’t like “You Can Call Me Al” by Paul Simon.

The song proves Simon’s pure artistry just in the layering of the opening lines:

The brass hook leaping forward promptly at 0:00 prepares you for music that moves. The bass line introduced at ~0:03 immediately delivers on that promise, quickly followed with snazzy percussion. Each layer is catchy on its own; together they synergize deliciously. Read More →

SATURDAY SPOTLIGHT: The greatest strategy game ever played.

Each Saturday, Jason spotlights one product or service or work of art he finds particularly amazing; the kinds of things that make you wonder, “Why doesn’t everyone have this?” (Read more atwww. jasonrpeters.com.)

I’ve been an avid player of hundreds of games, most of them carrying some strategic element: Dungeons and Dragons, Risk, Settlers of Catan, Monopoly. Tac Air. Chinese Checkers. In the digital world, I began with Warcraft 2, Starcraft, and Warcraft 3, expanded to Age of Empires, Empire Earth, Company of Heroes, Star Wars: Empire at War, Rome: Total War, The Battle for Middle Earth2, Black & White 2.

In spite of a plethora of variations on a theme, one game strategy game stands above them all (and I would wager it always will), simultaneously full of beautiful complexity and elegant simplicity:

Chess. Read More →

SATURDAY SPOTLIGHT: Hummel Gets the Rockets

Each Saturday, Jason spotlights one product or service or work of art he finds particularly amazing; the kinds of things that make you wonder, “Why doesn’t everyone have this?” (Read more atwww. jasonrpeters.com.)

One of my all-time favorite movies boasts a soundtrack I like even better than the movie. Wait; that’s wrong.

Rather, I think the soundtrack compliments the film so flawlessly that it helped make the movie what it is. This movie without said soundtrack would be a lot like toast without butter, crab without lemon, pancakes without syrup, and worse. Read More →

SATURDAY SPOTLIGHT: The best YouTube video I’ve ever seen.

Each Saturday, Jason spotlights one product or service or work of art he finds particularly amazing; the kinds of things that make you wonder, “Why doesn’t everyone have this?” (Read more at www. jasonrpeters.com.)

For the most part, I can’t stand YouTube. It’s like the worst aspects of television and the internet mixed into one, only without the benefit of real content like full-length television shows or movies.

That said, I do delve into the content wasteland for a few reasons. It’s a great place to learn intricate bossfights for World of Warcraft, for instance, so you don’t look an idiot when you first arrive. (#1 rule: Don’t stand in the fire.)

Beyond that, if a friend or relative recommends a video, I will grudgingly have a look. But only once have I ever been thrilled instead of annoyed by the time I actually watched the video.

This video by Sam Tsui was recommended to me by my wife, and I loved it.

Sam is a music student at Yale, and this is a video of him accompanying himself in a six-part a capella arrangement of a Michael Jackson medley. Read More →